I respectfully disagree with the negative reviews. I found the novel to have interesting character development and plot development; I did not anticipate the plot twists the way I do with some mysteries. I also admired and appreciated the vivid evocation of life in early twentieth-century London. The author unites research and creativity to bring together a series of interesting threads (women's suffrage, marginalized persons in the metropolis, playing with gender identity, and a bit about policing). I highly recommend this novel and I hope that the author will write more. The section at the end where she discusses her research and her writing process were helpful for a reader newly curious about this time in British history.
Too girlie-girlie for me, like the chitchat in a Victorian novel. Had to stop after a few pages. And yes, I agree with another commenter that the book could use heavy help from an editor.
A female reporter struggles to get her story and save lives at the same times just before WWI. With suffragists, London and a trapeze artist I guess I expected more but none of it really rung true though it did inspire me to look further into the world of suffragists.
The author needs more experience, and a better editor. Frequently feels like you're reading a bad translation from another language. She has a poor grasp of being able to describe situations so that they are understandable, and often seems to forget narrative flow altogether. The character of the trapeze artist is more annoying than interesting. It gets worse toward the end where it felt like the author might have been ill, or her ability to write just began to fail altogether.
Although the topic is of interest, this novel fails to come through. Lacks punch and vivid character and plot development. Plot lurches at times and skips crucial information to bridge the gaps.
Could have been edited down at least 100 more pages.
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