The Great Movies III

The Great Movies III

Book - 2010
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Roger Ebert has been writing film reviews for the Chicago Sun-Times for over four decades now and his biweekly essays on great movies have been appearing there since 1996. As Ebert noted in the introduction to the first collection of those pieces, "They are not the greatest films of all time, because all lists of great movies are a foolish attempt to codify works which must stand alone. But it's fair to say: If you want to take a tour of the landmarks of the first century of cinema, start here.

Enter The Great Movies III , Ebert's third collection of essays on the crème de la crème of the silver screen, each one a model of critical appreciation and a blend of love and analysis that will send readers back to the films with a fresh set of eyes and renewed enthusiasm--or maybe even lead to a first-time viewing. From The Godfather: Part II to Groundhog Day , from The Last Picture Show to Last Tango in Paris , the hundred pieces gathered here display a welcome balance between the familiar and the esoteric, spanning Hollywood blockbusters and hidden gems, independent works and foreign language films alike. Each essay draws on Ebert's vast knowledge of the cinema, its fascinating history, and its breadth of techniques, introducing newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well.

Named the most powerful pundit in America by Forbes magazine, and a winner of the Pulitzer Prize, Roger Ebert is inarguably the most prominent and influential authority on the cinema today. The Great Movies III is sure to please his many fans and further enhance his reputation as America's most respected--and trusted--film critic.

Publisher: Chicago ; London : The University of Chicago Press, 2010
ISBN: 9780226182087
0226182088
Branch Call Number: 791.4375 EBE 2010 22
Characteristics: xvii, 417 p. ; 24 cm
Alternative Title: Great movies three
Great movies 3

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" Denzel stands at the centre of the film, in a performance of enormous breadth." "Washingto n is a congenial, attractive actor." "Malcolm is at Columbia U., where a young white girl tells him her heart is in the right place, and she supports his struggle. ' what can I do to help? nothing,' Malcolm says coldly, and stalks away. Lee sees deeply, and so he ends the scene by showing the hurt on her face." "Every Lee film is an exercise in empathy." " Flaubert wrote that he had disliked reading UNCLE TOM'S CABIN because the author constantly preached against slavery. ' does one have to make observations about slavery? depict it; that is enough. an author must be like god in the universe, present everywhere, and visible nowhere.' " Olivier's famous acceptance speech for winning an honorary Oscar: next day he called Michael Caine, asked him what he thought of the speech. Caine hadn't understood a word. ' Quite so,' said Larry. his mind had gone blank."

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